Another recording of comparisons is on the shelves this month in Natalia Andreeva plays Preludes and Fugues; Bach, Liszt, Franck and Shostakovich (Divine Art dda 25139). This Russian pianist has given considerable thought to her program and liner notes, and lays out a wonderful rationale for the enjoyment of a series of preludes and fugues that includes some form of shared material.
She begins, logically, with Bach, giving the Prelude and Fugue in C-sharp Minor BWV 849 a disciplined and sensitive reading. Proceeding through Liszt’s transcription of Bach’s Prelude and Fugue in A Minor S462 No.1 she arrives at Franck’s Prelude, Chorale and Fugue in B Minor Op 21. By now it’s clear that Andreeva is making serious connections. She concludes with Shostakovich’s Prelude and Fugue in C Minor Op.87 No.20 leaving the impression that 350 years have not diminished the appeal of fugal form, especially when paired with the Prelude. Altogether a very worthwhile artistic and intellectual exercise.